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Poster for Salidas y Entradas | Exits and Entrances

Salidas y Entradas | Exits and Entrances

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2018 | 24 min | Documentary

Monday Morning Maybeearly rating

Why it’s a Monday Morning Maybe

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Based on critics, audiences, awards, box office and buzz. Details below.

Is it for you?

Who'll love it
Made for the curious.
The mood
Eye-opening.
The pace
Moves along nicely, at 24 min.
What might put you off
Nothing much for most grown-ups.

For the three-channel video Salidas y Entradas Exits and Entrances, artists Jessica Hankey and Erin Johnson worked with applied theatre facilitator Gina Sandi Diaz to offer performance workshops at public daytime senior centers managed by the city of El Paso’s Parks and Recreation Department. With the senior center as a stage, the elders who participated in the workshops enacted social, political and geographical imaginaries for the camera. Through improvisation and performance exercises drawn from the work of Viola Spolin and Augusto Boal, themes emerge: the dynamics of the U.S.- Mexico border, the desire to be seen, the role of musical storytelling as a soundtrack to daily life, power dynamics, and gender as performance. As the boundaries between rehearsal, improvisation, and performance blur, the ways in which individual lives and sociopolitical realities merge together are foregrounded.

How it earned its rating

  • CriticsNot counted

    Not enough reviews on record yet

  • AudiencesNot counted

    Not measured yet: not enough ratings

  • AwardsNot counted

    Awards data unavailable, so this isn't counted

  • Reach & staying powerNot counted

    Streaming release that reached a small audience so far

  • Buzz & cultural impactWeak

    Not enough engagement data yet

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Cast & crew

Directed by Erin Johnson, Jessica Hankey