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Poster for 7362

1967 | 9 min | Animation

Monday Morning Maybeearly rating

Why it’s a Monday Morning Maybe

With a box office flop and almost no lasting buzz, this one could be a tough watch. Keep your phone handy.

Based on critics, audiences, awards, box office and buzz. Details below.

Is it for you?

Who'll love it
If you count yourself among anyone who knows cartoons aren't just for kids, this one's for you. Works for the whole couch, from little ones up.
The mood
Feel-good.
The pace
Lively and easy to follow, at 9 min. Done before bedtime.
What might put you off
  • Rated PG. Worth a look first if you have very young kids.
  • It's in another language, so expect subtitles (or a dub).
  • Made in 1967: an older pace and style.
  • Skip it if you can't get past animation (your loss).

7362 is concerned with dividing and joining together. It begins with two black circles against a white background, knocking together and gradually moving further apart. The circles fade out, and return as white circles against black inside a square. Images similar to Rorschach blots appear. Gradually the viewer realizes that the images were not originally abstract, but were human forms (dancers, gymnasts, etc.), bridges, and others that have been split down the center of the frame, with their mirror images printed on either side of the split. Red, green, and white tints further abstract the images from their original foundations in the natural world, making dancers appear to be amoebas or dividing cells. The accompanying sound track is a mixture of electronic music and musique concrète ("real" recorded sounds manipulated to sound abstract).

How it earned its rating

  • CriticsNot counted

    Not enough reviews on record yet

  • AudiencesNot counted

    Not measured yet: not enough ratings

  • AwardsNot counted

    No major awards or nominations

  • Reach & staying powerWeak

    Streaming release that reached a small audience so far

  • Buzz & cultural impactWeak

    Not enough engagement data yet

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Cast & crew

Directed by Pat O'Neill