
T'Ain't Nobody's Bizness: Queer Blues Divas of the 1920s
Seen it?2013 | 29 min | Music, Documentary
Why it’s a Monday Morning Maybe
With a box office flop and almost no lasting buzz, this one could be a tough watch. Keep your phone handy.
Based on critics, audiences, awards, box office and buzz. Details below.Is it for you?
- Who'll love it
- Made for the curious. If you loved This Is It, start here.
- The mood
- Eye-opening.
- The pace
- Moves along nicely, at 29 min.
- What might put you off
- Nothing much for most grown-ups.
The 1920s saw a revolution in technology, the advent of the recording industry, that created the first class of African-American women to sing their way to fame and fortune. Blues divas such as Bessie Smith, Ma Rainey, and Alberta Hunter created and promoted a working-class vision of blues life that provided an alternative to the Victorian gentility of middle-class manners. In their lives and music, blues women presented themselves as strong, independent women who lived hard lives and were unapologetic about their unconventional choices in clothes, recreational activities, and bed partners. Blues singers disseminated a Black feminism that celebrated emotional resilience and sexual pleasure, no matter the source.
How it earned its rating
- CriticsNot counted
Not enough reviews on record yet
- AudiencesNot counted
Not measured yet: not enough ratings
- AwardsNot counted
Awards data unavailable, so this isn't counted
- Reach & staying powerWeak
Streaming release that reached a small audience so far
- Buzz & cultural impactWeak
Not enough engagement data yet
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Cast & crew
Directed by Robert Philipson
- Jewelle GomezNarrator
- Chris AlbertsonHimself
- Brian KeizerHimself
- Linda TilleryHerself


