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Poster for Die Macht der Männer ist die Geduld der Frauen

Die Macht der Männer ist die Geduld der Frauen

Seen it?

1978 | 80 min | Drama

Monday Morning Maybeearly rating

Why it’s a Monday Morning Maybe

With a box office flop and almost no lasting buzz, this one could be a tough watch. Keep your phone handy.

Based on critics, audiences, awards, box office and buzz. Details below.

Is it for you?

Who'll love it
Made for anyone who likes a story with emotional weight. Leaves you with something to think about.
The mood
Thoughtful and character-driven.
The pace
Lets scenes breathe, at 1 hr 20 min. An easy one to fit in on a school night.
What might put you off
  • It's in German, so expect subtitles (or a dub).
  • Made in 1978: an older pace and style.
  • Skip it if you need something light and fast tonight.

For many years, market woman Addi has been helplessly exposed to the ever-increasing aggression of her husband Max. His physical and emotional abuse has become part of her everyday life, from which she cannot find a way out. Due to her economic dependence on Max and the passivity of those around her, every attempt to escape leads her back to her husband. When Addi accidentally learns of the existence of a women's shelter, this is her long-awaited escape from violence and she flees to the facility with her son. Strengthened by the solidarity among the women, she founds a shared flat with others in order to regain her long-suppressed freedom. Director Cristina Perincioli had the story developed and acted out by residents of Germany's first women's shelter in West Berlin.

How it earned its rating

  • CriticsNot counted

    Not enough reviews on record yet

  • AudiencesNot counted

    Not measured yet: not enough ratings

  • AwardsNot counted

    No major awards or nominations

  • Reach & staying powerWeak

    Streaming release that reached a small audience so far

  • Buzz & cultural impactWeak

    Not enough engagement data yet

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Cast & crew

Directed by Cristina Perincioli

  • Elisabeth Walinski
  • Eberhard Feik
  • Dora Kürten