
Limite
Seen it?1931 | 120 min | Drama, Adventure
Why it’s a Sunday Safe Bet
It was critically acclaimed, though it had a box office flop and almost no lasting buzz. A safe bet when you want something reliable.
Based on critics, audiences, awards, box office and buzz. Details below.Is it for you?
- Who'll love it
- Made for adventure fans. If you loved The Poseidon Adventure or Moby Dick, start here. Critics rate it higher than audiences do, so it rewards patience more than it chases thrills.
- The mood
- Exciting.
- The pace
- Takes its time with its characters, at 2 hr.
- What might put you off
- It's in Portuguese, so expect subtitles (or a dub).
- Made in 1931: an older pace and style.
- Audiences were cooler on it than critics.
Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.
How it earned its rating
- CriticsStrong
Critically acclaimed
- AudiencesSolid
7.1 out of 10
- AwardsNot counted
No major awards or nominations
- Reach & staying powerWeak
Streaming release that reached a small audience so far
- Buzz & cultural impactWeak
Not enough engagement data yet
Trailer
More like this
The Poseidon AdventureSaturday SpecialAnother adventure, and a Saturday Special.
Requiem for a DreamFriday Night FlickAnother much-loved drama.
Moby DickSaturday SpecialAnother adventure that's easy to miss.
Deepwater HorizonSaturday SpecialAnother drama, and a Saturday Special.
My Penguin FriendSunday Safe BetAnother adventure, and a safe bet for a quiet night.
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Cast & crew
Directed by Mário Peixoto
- Olga BrenoFirst woman
- Tatiana ReySecond woman
- Raul SchnoorFirst man
- Brutus PedreiraSecond man
- Carmen SantosWoman eating a fruit
- Mário PeixotoMan sitting at the cemetery
- Edgar BrasilMan asleep in the theatre
- Iolanda BernardesWoman at the sewing-machine